Friday, April 24, 2015

Raiders of the Lost Ark

Tonight my local small town theater had a free showing of "Raiders of the Lost Ark". Published in 1981, written by George Lucas and Lawrence Kasdan, and directed by Spielberg. I took the kids since I had never seen the movie before and had never been to this particular theater. I had heard in one of my undergraduate anthropology schooling one of the teachers comment about this movie. He said that it caused an increase in the number of people seeking anthropology degrees and wanting to get into the field. So, since I have a degree in Anthropology and African Studies, I thought now was a prime time to knock this one off my bucket list. I'm glad I did and will write my review here to share with you.

My first thought it WOW, the German's still have a heavy hand in Egypt!! This is what HOLYWOOD was imprinting in the minds of the masses of the 80s!! At the end of the movie I asked my son what he thought of it, he commented that he had seen it before. My son is 14. So I asked when, he said at a theater a few years ago. I googled it and the movie came out in 1981. When I told them that my other son said, "NO WAY, not with those kind of graphics!" Yes, its true, the movie is timeless. I did see masonic symbolism or footprints in the movie. But mostly I took away the German influence and fight for the ancient antiquities in Africa. Another interesting point to me was the snakes on the ground in the room of the ark. When I went to a grave site in Alabama of my ancestors my great uncle told me once to watch out because there are rattle snakes in there, he said that our at our cemetaries, to protect our ancestors. Both actors in the movies looked rattle snakes in the eyes.

When I first was drawn to research Seshat I hit a stumbling block because everything on the internet said the exact same thing, just on different sites. Or it was something that someone "divined". There was hardly any material on her.The only text I could find at Vanderbilt I had to have loaned from another library and it was in German. I searched high and low for someone to translate the book for me. There was only so many renewals they would allow me though. Then one week before I had send it back I met a German man who was interested in my Nashville Urban Food Forest project. We sat down for coffee and he attempted to help me. We didn't get to far because he said that the text had specialized words he was not familiar with. Some of which I could decipher because they were referencing Egyptian places and such. Needless to say, my only resort was retyping the book and using google translate. I didn't get all 400+ pages typed in time. So I didn't get too far. I was left frustrated that the text was not offered in English or that I could not download a copy online. I wondered how could such an important icon only have extensive research done on her by the German's? Outside of my opera vocal training at Vanderbilt I had no background or knowledge of Germans or their culture...except Hitler.

Watching the movie throughout they kept showing the German flag with its red and white and the horus falcon above the flag on the staff. Then when leaving Egypt and coming back to America at the end of the movie the first scene is a shot of the obelisk in DC then a long table with a man seated with the horus falcon directly behind his head. His words were that "important men" were watching over the covenant. 

Golden Books: Pyrgi Tablets

Pyrgi Tablets written in Etruscan and Phoenician languages. Etruscan Museum in Rome.
I came across a book made of gold, said to be the oldest multi-page book every found, which dates to 600BC. Being one who studies knowledge I was curious to know what it said and if anything relating to the goddess of writing could be found on its golden pages. It tells a story that again links Africa to Europe through the stories of the goddess. I am not so sure about the translation or that I understand fully what it means but a few of the words caught my attention: kkb (Star),  'strt (Astarte), krr (calendar month), rbt (lady, grand, large, female rabbatu), sms (sun), snt (year), heram (Hermes).
This is in the Pyrgi Tablets found in Santa Severa, Italy. Because the history of Seshat is so deeply entrenched in human culture instead of looking for direct clues, like Sst or her star symbol, I do not omit strings of commonalities that she represented when doing my research. So to see the star, which is her symbol, Astarte, which is a later representation of her aspects, Hermes, who is also a later representation of her aspect, calendar, which is a part of the body of knowledge she represented on time, year, and sun which is iconic with this representations of time and the divine. When I see all of these together it catches my attention and I imagine that the scribe may have been a priest of Seshat or student of the body of knowledge her icon represents. Maybe he or she even wore the leopard print garb! What is striking to me is here is that these symbolic terms are found among the Greek, once again linking Thebes to early civilized culture in Europe. In my Egypt in Nashville Tour I discuss some of these cultural continuities in architecture from Kemet to Greece that are seen in the Parthenon and "Lady Wisdom" Athena.

Other images from Pyrgi:
Detail of clay group with mythological scene from the Theban cycle, from the area of temple A at Pyrgi, mid-5th century BC.
Etruscan architectural plaque from the columen of the temple A at Pyrgi. Scene from the Theban Cycle, the Seven against Thebes: Menerva, Tinia, Capaneus, Tydeus and Melanippus
The poetry used hexameter and was recited orally. It is almost like the scripts we have existing today are lyrics to a rap song or music sheet. The Iliad and the Odyssey are examples of this poetry. These were a part of the Theban cycle, 4 lost epics now in Greek literature about the history of the Boeotian city of Thebes in dactylic hexameter. Said to be written between 750 and 500BC. The most famous story includes the number 7, "Seven against Thebes". It is a play about a battle between Argive (Argos) and Thebes led by Eteocles (King of Thebes). This was left for us today by Aeschylus the first of the 3 ancient greek tragedy writers, Sophocles and Euripides being the other two.
Is authorship is questioned in some of his plays because they continue to be "discoverd" on Egyptian papyrus.

http://ldsdoctrine.blogspot.com/2008/05/archeological-evidence-for-reformed_29.html